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Being a poet, few people do not have their own thoughts about poetry, expressed in one form or another. Overall, these are all worthy thoughts. However, not every thought or statement will attract wide attention, if it does not have the necessary generalization ability and does not show a clear and innovative creative direction. . It is worth mentioning that when attending speeches about poetry, many people often give definitions, and the phrase "poetry is"... is often repeated. They certainly believe that their own assessment of poetry is valid for universal truth. In fact, all definitions of poetry are only "correct" in relative terms. First, let's temporarily assume that they are only true in the case of the person who has stated that concept and definition.

 

Nguyen Dinh Thi must appreciate this very clearly. The author's article does not aim at a narrow definition, but opens up new feelings about poetry, and opens up broader awareness in the future for Vietnamese poets in the last years of the 40s. of the twentieth century, that is, the time when there were great revolutionary changes in social life, and the development path of Vietnamese poetry has progressed a long way. This is one of the conceptual speeches about poetry that is really valuable and often mentioned, whenever people mention the poetic path as well as the ability to innovate poetry of the multi-talented artist Nguyen Dinh Thi.

 

In the first part of the article, Nguyen Dinh Thi converses with a number of ways of evaluating poetry that have dominated the act of perceiving and creating poetry of a fairly large number of poets and readers. There are 3 ways of feeling that have been raised: if it is a poem, it must have "beautiful words"; the subject of the poem must be "beautiful subject"; "Poetry differs from other genres in that poetry is imprinted on memory". According to Nguyen Dinh Thi, all three ways of feeling above are somewhat one-sided, because there are many examples in poetic practice that prove the opposite. Nguyen Dinh Thi's dialogue is very light, but what can be drawn from here is very weighty: the trivial words of everyday speech can perfectly be incorporated into poetry and can still be full of quality. poem; "Today's poets do not seek the illusory eternity outside of real human life" and the themes of weather, flowers, snow, and sadness are no longer essential topics. Those "drawn" things reflect a new conception of Nguyen Dinh Thi's poetry - a concept that, if it becomes a popular perception, may bring Vietnamese poetry to great strides.

 

Going to the next part, to clarify the assumption: "Is the clue of poetry perhaps looking inside the human soul?", Nguyen Dinh Thi described (through very interesting comparison images) The state of the human soul when there is a "poetic vibration" and the role of the poem in expressing and spreading that vibration. According to author Nguyen Dinh Thi, the poem forms in the mind of the poet or resounds in the readers' nostalgia once they appear "an unusually shaky psychological state", "due to a collision" no contact with the outside world, with nature, with other people". It is this "collision" that helps the soul to "look into it". And when writing poetry, the poet does not have to live with mere memory but with the interaction between memory and what is being experienced at the moment. The past and the present blend together on the self-consciousness of the poet, giving rise to poetic emotions. This thought of the author is also close to that of the poet Uyliam Ussow: "I have said that poetry is the spontaneous outpouring of intense emotions: it originates in feelings. The emotion is recalled in equanimity; the emotion is contemplated until, due to a particular kind of reaction, the equanimity gradually disappears, and another emotion familiar to the former is the object of the contemplation arises from time to time and it actually exists in the mind".

 

The author believes that poetry has a wonderful ability to preserve the poet's state of mind when he is writing poetry, through "words", "words". It is these "words", those "words" that are the clues to the sympathies between the poet and the reader. There has been "poetic vibration", that is, an unusual type of vibration as mentioned above, readers easily resonate with the vibration frequencies of the poet "when looking at the words, when hearing the words". , because it entails words, that word is "images, thoughts, desires, feelings", as if a "light around a fire". The comparison image that the author gives here is extremely delicate. It is as shimmering as the poetry itself and has vividly expressed the so-called organic attachment between content and form in this type of composition.

More: https://vuihoc.vn/tin/thpt-phan-tich-tac-pham-may-ngh-ve-tho-1743.html

Before the direct discussion about images in poetry, the author asserts that "poetry must have thoughts and consciousness", but "poetry does not speak with pure ideas", because if so, poetry would be equated with religion. virtues (logic, philosophy,... Poetry's path towards "shaking the dimensions"

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