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輔大博班資格考_批評理論建議書單 2

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2.跨藝術類


Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton: Princeton UP, 1991.
----------. ”Opera; or, the Envoicing of Women” in Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley, Los Angeles, London: University of California Press, 1993. pp. 225-258.
Arnheim, Rudolf. Art and Visual Perception: A Psychology of the Creative Eye. 2nd ed. Berkeley: U of California P., 1974.
Barricelli, Jean-Pierre, and Joseph Gibaldi, eds. Inter-relations of Literature. New York: MLA, 1982
Barricelli, Jean-Pierre,and Estella Lauter, eds. Teaching Literature and Other Arts. New York: Modern Language Association of America, 1990.
Barthes, Roland. Image, Music, Text. Trans. Stephen Heath. New York: Noonday, 1977.
Berger, John. About Looking. New York: Pantheon, 1980.
Berger, John. Ways of Seeing. New York: Viking, 1973.
Bordwell, David & Thompson, Kristin. Film Art, An Introduction. New York: McGraw-Hill, 1989.
Brown, Calvin S. Music and Literature. Athens: Georgia UP, 1948.
Brown, Calvin S. ”The Relations Between Music and Literature as a Field of Study.” CL 22, 1970.
Bryson, Norman. Holly, Michael Ann. & Moxey, Keith. ed. Visual Theory: Painting &Interpretation. Harper Collins, Icon Editions, Polity Press, 1991.
Bryson, Norman. Looking at the Overlooked: Four Essays on Still Life Painting. Harvard University Press, Cambridge, Massachusetts, 1990
Bryson, Norman. Vision and Painting: The Logic of the Gaze. New Haven: Yale UP, 1983
Bryson, Norman. Word and Image: French Painting of the Ancient Regime. New York: Cambridge UP, 1981.
Caws, Mary Ann. The Art of Interference: Stressed Readings Visual and Verbal Text Princeton: Princeton UP, 1989. Cluck, Nancy A., ed. Literature and Music: Essays on Form. Utah: Provo, 1982.
Cl?ment, Catherine. Opera, or the Undoing of Women. (1979) trans. by Betsy wing. Minneapolis: University of Minnesota Press, 1989.
Conrad, Peter. Romantic Opera and Literary Form. Berkeley: California UP, 1977.
Deleuze, Gilles. Cinema 1: The Movement-Image. Les Editions de Minuit 1983;
Minneapolis: U of Minnesota P., 1991.
Deleuze, Gilles. Cinema 2: The Time-Image. Les Editions de Minuit 1985; Minneapolis: University of Minnesota Press, 1991.
Ehrenzqeih, Anton. The Hidden Order of Art: A Study in the Psychology of Aesthetic Imagination Berkeley: U of California P, 1967.
Goodman, Nelson. The Languages of Art: An Approach to the Theory of Symbols 2nd ed. Indianapolis: Indiana UP, 1976.
Groos, Arthur. & Roger Parker. ed. Reading Opera. Princeton, New Jersey: Princeton University Press, 1988.
Hagstrum, Jean. The Sister Arts: The Tradition of Literary Pictorialism in English Poetry from Dryden to Gray Chicago: U of Chicago P, 1958.
Harrington, John, ed. Film and/as Literature. Englewood Cliffs:Prentice, 1977.
Heffernan, James A. W., ed. Space, Time, Image, Sign: Essays on Literature and the Visual Arts. New York: Lang, 1987.
Kerman, Joseph. Opera as Drama. New York: Vintage-Knopf, 1956.
Kramer, Lawrence. Music and Poetry: The Nineteenth Century and After. Berkeley: California UP, 1984.
Kramer, Lawrence. Music as Cultural Practice 1800-1900. Berkeley, Los Angeles, Oxford: Univ. of California P, 1990.
Krieger, Murray. ”The Ekphrastic Principle and the Still Movement of Poetry: Or, Laocoon Revisited.” The Play and Place of Criticism. Baltimore: Johns Hopkins UP, 1967. 105-28.
Krieger, Murray. Ekphrasis: The Illusion of the Natural Sign. Baltimore and London: The Johns Hopkins University Press, 1992.
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. ed. Leon S. Roudiez. trans. Thomas Gora, Alice Jardine, and Leon S. Roudiez. 1977 editions du Seuil; 1980 Columbia University Press. pp. 211-236.
Kristeva, Julia. ”Revolution in Poetic Language”, in The Kristeva Reader, ed. by Toril Moi (UK: Basil Blackwell Ltd, 1987), pp. 89-136.
Leppert, Richard. Music and Image. Cambridge University Press, 1988.
Lindenberger, Herbert. Opera: The Extravagant Art. Ithaca & London: Cornell UP, 1984.
Littlejohn, David. The Ultimate Art: Essays Around and About Opera. Berkeley: University of California Press, 1992.
Mast, Gerald, and Marshall Cohen, eds. Film Theory and Criticism. 3rd ed. New York: Oxford Up, 1985.
McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minnesota, Oxford: University of Minnesota Press, 1991.
Metz, Christian. Film Language: A Semiotics of the Cinema. Trans. Michael Taylor. New York: Oxford UP, 1974.
Meyer, Leonard B. Style and Music: Theory History, and Ideology. Philadephia: University of Pennsylvania Press, 1989.
Mitchell, W.J.T. Blake Composite Art: A study of the Illuminated Poetry. Princeton: Princeton UP, 1978.
W.J.T.Mitchell, ”On Poems on Pictures: Ekphrasis and the Other”, Poetics Today special issue, Literature and Art, ed. Wendy Steiner, vol. 10(1989).
Mitchell, Ideologies (Chicago: University of Chicago Press, 1986).
Neubauer, John. The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics. New Haven: Yale UP, 1986.
Nochlin, Linda. The Politics of Vision: Essays on Nineteenth-Century Art and Society. Thames and Hudson, Harper & Row, 1989, 1991
Poizat, Michel. The Angel’s Cry: Beyond the Pleasure Principle in Opera. (L’Op?ra, ou Le Cri de l’ange: Essai sur la joussiance de l’amateur d’op?ra, 1986), trans. by Arthur
Denner, Ithaca and London: Cornell University Press, 1992.
Praz, Mario. Mnemosyne: The Parallel between Literature and the Visual Arts. Princeton: Princeton UP, 1970. Schmidgall, Gary. Literature as Opera. New York, 1977.
Said, Edward W. Musical Elaborations. The Wellec Library Lectures at the University of California, Irvine. New York: Columbia University Press, 1991.
Scher, Paul S.. ”Literature and Music.” Interrelations of Literature. Eds. Jean-Pierre
Barricelli and Joseph Gibaldi. New York: MLA, 1982. 225-250.
Scher, Steven Paul. ed. Music and text: critical inquiries. Cambridge: Cambridge University Press, 1992.
Steiner, Wendy. Pictures of Romance: Form against Context in Painting and Literature. University of Chicago Press, Chicago and London, 1988.
Steiner, Wendy. The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting. The University of Chicago Press, Chicago and London, 1982.
Weisstein, Ulrich, ed. The Essence of Opera. New York, 1964.
Weisstein, Ulrich. ”The Mutual Illumination of the Arts.” Ch. 7 in Weisstein, Comparative Literature and Literary Theory;: Survey and Introduction. Trans. William Riggan. Bloomington: Indiana UP, 1973.
Wellek, Rene. ”Literature and the Other Arts.” Ch. 11 in Wellek and Austin Warren, Theory of Literature. New York, 1970.

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