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《隨便做坐 ─ 在旅行中遺失一只鞋子》基本資料

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製作 莎士比亞的妹妹們的劇團
編導 魏瑛娟
製作人 李靈、王嘉明
演員 周蓉詩、阮文萍(1998版)
周蓉詩、徐堰鈴(2001版)

演出時間、地點
2001/11 台北皇冠小劇場
文建會 ─ 發現台灣小劇場2001秋季選秀
1998/05 Taipei a8 Underground防空洞咖啡展場
演出18場 
1998/01 香港藝術中心壽臣劇院
香港「中國旅程98」 (Journey to the East 98, HK)

簡介
1998年香港進念二十面體藝術總監榮念曾先生邀請了十二位華裔導演赴港發表以「一桌二椅」為主題的演出,演出遊戲規則:一桌二椅、二位演員與二十分鐘的長度;主題、形式不設限,任與會藝術家天馬行空各自展現。
魏瑛娟是受邀十二位導演中唯一的女性藝術家,她從性別出發,思索性別議題與一桌二椅的諸多可能性。一桌兩椅可以是地位、權勢、身分依歸的象徵。舞台上的桌子翻覆在黑色大幕之下,桌腳穿著兩只血漬斑斑的三寸金蓮;兩張鋪著金黃椅套的椅子若似父權權勢象徵;兩名女演員紅線纏繞綑綁自縛,各自遺失鞋子一只鞋子,顛仆躑躅無法安坐。


Whatever Doing

Presents Shakespeare’s Wild Sisters Group
Written & directed by Wei, Ying-chuan
Producers Lee Ling, Wang, Chia-ming
Actresses
Chou, Jung-shih , Juan, Uen-ping (1998)
Chou, Jung-shih , Hsu, Yen-ling (2001)

Date / Venue
2001/11 Taipei Crown Art Center
Formosa Little Theatre Festival, Taiwan
1998/05 Taipei a8 Underground Shelter Café  
1998/01 Shouson Theatre, Hong Kong Arts Centre
Journey to the East 98, HK

Brief
Whatever Doing had its premiere in 1998, Hong Kong, as Director Wei was invited by Danny Yung, artistic director of ZuniIcosahedron, to participate in the theater project “One table with Two Chairs.” Along with the other eleven Chinese directors respectively in this project, Wei was asked to create a twenty-minute-long piece using a table, two chairs and two performers on stage. As the only female artist among the twelve participant directors, Wei developed her work in association with gender issues. On the stage of Whatever Doing, the two chairs with golden covers suggest patriarchal power, while the overturned table is covered by black cloth with a pair of bloody, tiny, antique women shoes on its feet. Among the settings symbolizing the conflict of power, positions, and identities, two actresses stumble restlessly on the chairs, as each of them loses a shoe on their way toward binding themselves with red strings all over their bodies.


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